Raphael
|
Á̱ lyuut ati̱kut wuni di̱n Tyap Maba̱ta̱do ja (Maba̱ta̱do) |
Rafet
| Sot mbyin | a̱sam  |
|---|---|
| A̱byin mbyin | Holy Roman Empire |
| A̱lyoot da̱ a̱lyem mbyin | Raffaello Sanzio da Urbino |
| A̱lyoot nang á̱ ku tyia̱ nggu | Raffaello |
| A̱lyoot kyangbwak | Sanzio, Urbino |
| Name | Raphaël d'Urbin, Raphaël d’Urbin, Raphael of Urbino, Raphaël d'Urbin, Raphaël |
| A̱tuk mbyin | 6 Zwat Nyaai 1483, 28 Zwat Tsat 1483 |
| A̱keang mbyin | Urbino |
| A̱tuk kwi | 6 Zwat Nyaai 1520, 7 Zwat Nyaai 1520 |
| A̱keang kwi | Rom |
| Tangka̱i kwi | natural causes |
| Cause of death | heart failure |
| A̱vwuoniat | Pantheon, Tomb of Raphael |
| A̱tyia̱ | Giovanni Santi |
| A̱yang | Magia di Battista Ciarla |
| A̱tyunswat | no value |
| A̱sak | Margarita Luti, Maria Bibbiena |
| Lilyem a̱ lyen lyiat, lyuut ku tyia̱ bwak ma̱ng a̱nhu a̱ni | Italian |
| A̱tyutyiet | Giovanni Santi, Timoteo Viti, Pietro Perugino |
| A̱vwuonta̱m | Fi̱ra̱ntse, Perugia, Rom, Siena, Urbino |
| Nwap | Italians |
| Khwi ku nwuan-ta̱cya̱ | Sot Á̱nietkhwi Katolika |
| Religious order | Franciscans |
| Sponsor | Atalanta Baglioni |
| Artist files at | Smithsonian American Art and Portrait Gallery Library, Frick Art Research Library, National Gallery of Art Library |
| A̱guguut | Italian Renaissance, High Renaissance |
| Za̱nang nang gu ku san a̱ni | Order of the Golden Spur |
| Depicted by | Self-portrait, Archangel Raphael with Tobias, St. Laurentius and the donor Leonardo di Lorenzo Morelli |
| Copyright status as a creator | copyrights on works have expired |
| Catalogue raisonné | Q133398757 |
Raffaello Sanzio da Urbino[lower-alpha 1] (yei Italya: raffaˈɛllo ˈsantsjo da urˈbiːno; Zwat Tsat 28 ku Zwat Nyaai 6, 1483 – Zwat Nyaai 6, 1520),[1][lower-alpha 2] ku yet a̱tyuswup nghwughwu ma̱ng a̱tyughwang a̱ka̱sa a̱ yet a̱tyu a̱byin Italya wa a̱ni di̱n jen A̱gba̱ndang Shyip ji. Á̱niet ma̱ a̱di̱di̱t shyuo ta̱m nggu hu mat ghwut shansham ghwang nggu hu, nwai vwuoa̱khwu nhu hu ma̱ng nkyang na nang a̱di̱dam jen Pi̱latonik-a̱fai wu ku byin a̱ni di̱ tyai shisham á̱nietbishyi.[3] Dundung ma̱ng Leonardo da Vinci mbeang Michelangelo, a̱ yet a̱tyonyiung mi̱ a̱yaagwak a̱tat ba di̱n jen a̱ja mi̱ taada.[4]
A̱ya̱fang
[jhyuk | jhyuk a̱tyin ka]- ↑ Jones ma̱ng Penny, Ta̱mpi̱let:Pp. ma̱ng 246.
- ↑ Salmi et al. 1969, pp. 585, 597.
- ↑ Da̱ a̱lyiat Pi̱latonizi̱m-a̱fai na, nwuan Chapter 4, "The Real and the Imaginary" a li Archived 2018-12-16 at the Wayback Machine, mi̱ Kleinbub, Christian K., Vision and the Visionary in Raphael, 2011, Penn State Press, ISBN 978-0271037042
- ↑ Nwuan a li, mi̱ kidee, Honour, Hugh; Fleming, John (1982). A World History of Art. London: Macmillan Reference Books. p. 357. ISBN 978-0333235836. OCLC 8828368.; " Britannica online, "High Renaissance": "High Renaissance art, which flourished for about 35 years, from the early 1490s to 1527, when Rome was sacked by imperial troops, revolved around three towering figures: Leonardo da Vinci (1452–1519), Michelangelo (1475–1564), and Raphael (1483–1520)."
- ↑ á̱ ka ngyei Raffaello Santi, Raffaello da Urbino, Rafael Sanzio da Urbino, ku Raphael Sanzio a̱ni. Á̱ ku bwuo a̱lyoot a̱tyia̱ ka, Sanzio, neet mi̱ bwuak a̱lyoot Italya ka Santi tyia̱ mi̱ Lati̱n, ka̱ si̱ yet Santius. Da̱ nggu, a̱ ku tyia̱mbwak mi̱ a̱yaadokyumen ma̱ng a̱lyoot ka Raphael Urbinas wa – tangka̱i a̱lyoot nggu ka mi̱ Lati̱n. Gould:207
- ↑ Á̱ ku tak nyia̱ á̱ byin nggu a̱tuk mam Juma Ita kya (Zwat Tsat 28, 1483), a̱wot lyuut a̱bi nggu hu tak nyia̱ á̱ byin nggu ma̱ a̱tuk a̱nyiung kya ma̱ng a̱tuk kwi nggu ka (a̱ ku saan áwa a̱tat nang Ave Maria a̱tuk mam Juma Ita ka sii tyak a̱ni). Ku nwai yet doot mmam nfeang nani na̱ yet a̱cucuk.[2]
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